The journey of adapting Erik Larson’s bestselling non-fiction classic, The Devil in the White City, for the screen has been a tumultuous one. From Leonardo DiCaprio buying the film rights in 2010 to the current updates provided by producer Stacey Sher, the project has seen various stages of development and multiple changes in direction.
Originally set up as a feature film at Paramount with Scorsese to direct and DiCaprio to star, the project took a different turn when Hulu announced its plans to develop it as a big-budget series in 2019. However, last year, Hulu made the decision not to proceed with the project, leaving its future uncertain.
Despite the setbacks, ABC Signature, in association with Paramount Television Studios, expressed a continued commitment to the project, indicating a hope of finding it a new home. Stacey Sher, who has been involved with the project since the beginning, remains dedicated to bringing Larson’s book to the screen. When asked about the project’s status, Sher reaffirmed her involvement, stating, “I never give up.”
Sher also mentioned that the big names originally attached to the project, including Rick Yorn, Leonardo DiCaprio, Jen Davisson, and Martin Scorsese, are still involved. This unwavering support from the core team reflects a shared belief in the project’s potential and importance.
The Devil in the White City follows Dr. HH Holmes, a notorious serial killer who operated during the World’s Columbian Exposition of 1893 in Chicago. The book explores the contrasts between the optimism and innovation of the Exposition and the sinister activities of Holmes, creating a gripping narrative that captivates readers and viewers alike.
Over the years, the adaptation of Larson’s book has seen numerous changes in terms of casting, direction, and production. From Tom Cruise’s initial option on the book to DiCaprio’s rival project and eventual acquisition of the rights, the evolution of the project highlights the complexities of bringing a historical story to life on screen.
While the screen version of Larson’s book may not be imminent, it remains a project that is close to the hearts and minds of everyone involved. The dedication and persistence of the team behind The Devil in the White City underscore their belief in the story’s power and their commitment to doing it justice on screen. As the project continues to evolve and adapt to changing circumstances, one thing remains certain – the story of Dr. HH Holmes and the World’s Columbian Exposition will captivate audiences for years to come.
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