Reflections of a Filmmaker: Tom Hanks on that Thing We Call Criticism

Reflections of a Filmmaker: Tom Hanks on that Thing We Call Criticism

Over two decades have passed since Tom Hanks’ directorial and screenwriting debut, *That Thing You Do!* (1996), and the film has carved a niche for itself as a cult classic. Hanks himself has expressed a nostalgic fondness for the movie, recognizing its journey from initial mixed critical reception to a beloved status among audiences. This transformation speaks to the way art can evolve over time, ultimately finding appreciation beyond its initial release. When Hanks reflected on this journey during an appearance on the *Conan O’Brien Needs a Friend* podcast, he cleverly articulated the unpredictable nature of film reception and the whims of critics.

Creative work is a gamble, and Hanks is acutely aware of the fickle nature of critics. As he noted during the podcast, critical reception often oscillates between extremes—love and hate, adoration and derision. Hanks humorously illustrated the irony of public opinion with a nod to the ever-changing dialogue surrounding his work: “Oh hey, Tom, I saw you in a movie. It was cute…” This comment serves as a reminder that, while box office numbers are significant, the true legacy of a film is not determined overnight. Only with the passage of time can viewers form genuine relationships with films, leading to a reevaluation of their societal and cultural impact.

One fascinating aspect of Hanks’ retrospective commentary is his acknowledgment of the initial criticism he faced, particularly the remarks that equated the film’s look as reminiscent of a television production. Such critiques highlight the often subjective nature of film evaluation, a point Hanks did not shy away from discussing. The same critic who dismissed Hanks’ film later lauded it as a “cult classic” with the passage of twenty years. This ironic twist underscores a larger truth about film—what might seem insignificant or poorly executed during its premiere can later resonate powerfully or take on new meaning as cultural contexts shift.

Hanks’ reflections stress that art is not a static entity; it’s a living conversation that unfolds over time. Some movies that may have floundered upon release eventually emerge as giants in pop culture, while once-revered films may fade into obscurity. This highlights the importance of giving films a second chance, as opinions and cultural landscapes change. Hanks exudes confidence in this unpredictable process, likening it to a carnival or contest—the process of creation, reception, and reflection is part of the artist’s journey.

With an ensemble cast that includes talents like Liv Tyler, Johnathon Schaech, and Steve Zahn, *That Thing You Do!* encapsulates the essence of 1960s pop culture while delivering a timeless message about ambition and camaraderie. The film’s title song even garnered Oscar and Golden Globe nominations, cementing its place in cinematic history. Reflecting on his experience, Hanks emerges not only as a filmmaker but as a steadfast believer in the enduring power of storytelling—one that evolves, transforms, and ultimately speaks anew to generations of audiences. In the end, Hanks conveys a message of resilience and hope for creatives everywhere—what might be scoffed at today could become beloved tomorrow.

Entertainment

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