Entertainment

The upcoming release of *Quezon*, a historical biopic from TBA Studios, promises to be a significant addition to Philippine cinema’s ongoing attempt to reinterpret its complex past. While the film’s ambitious scope aims to shed light on the tumultuous years after the Philippine Revolution, it ultimately feels like it bites off more than it can

Disney’s recent decision to bring in Netflix’s veteran executive Tony Zameczkowski for its Asia Pacific streaming division might seem like a savvy move on the surface. Yet, beneath this veneer of strategic agility lies a more troubling narrative about corporate obsession with growth at all costs. Disney, a company renowned for its family-friendly image, repositions

Hollywood’s landscape has long been a battleground where art and politics intertwine. However, the recent debates surrounding Gal Gadot’s comments reveal a disturbing truth: the more Hollywood actors attempt to leverage their platform politically, the more they risk undermining their artistic endeavors. Gadot, an icon with Israeli roots and a background in military service, found

Tarantino’s announcement of retirement often feels less like a confident end and more like an admission of internal struggle. Despite his reputation as a master storyteller and an icon of contemporary cinema, his decision to abandon “The Movie Critic” hints at a vulnerability that many overlook. It’s tempting to see this as a calculated move:

In an era where bigger studios seem increasingly disconnected from the diverse, authentic stories that resonate with modern audiences, Studiocanal’s recent investment in Brock Media appears to be more of a calculated ego boost than a strategic move rooted in concrete market potential. While the company’s bragging rights for backing female-led, socially conscious stories sound

In an era where streaming dominance often hinges on fresh content, WWE’s recent performance on Netflix signals more than just fleeting popularity—it hints at a strategic reclamation of cultural relevance. This surge, marked by not just one but two projects making the Top 10 English TV titles, is emblematic of WWE’s uncanny ability to reinvent

After an eight-year hiatus, director Lee Chang-dong makes a daring return to filmmaking, signaling a compelling rediscovery of his artistic voice. Known for his incisive portrayals of Korean society’s intricacies, Lee’s reintegration into the film landscape is not a mere comeback but a statement of creative resilience. His new project, “Possible Love,” promises to challenge

Lindsay Lohan’s journey through Hollywood has been a tumultuous odyssey marked by remarkable highs and troubling lows. From her breakout roles in beloved classics like Mean Girls and The Parent Trap, she was instantly pigeonholed into a certain archetype — the bubbly teen, the charming girl-next-door. This typecasting not only limited her career options but

At the heart of Hollywood’s relentless pursuit of superhero dominance lies a sobering reality: even beloved franchises are vulnerable to strategic neglect and misguided decisions. The case of the original Fantastic Four films from the mid-2000s exemplifies how fleeting fame and promising prospects can be squandered by corporate indecisiveness. Despite the moderate success of “Fantastic

In the landscape of cultural history, society often fixates on the luminous figures—those whose names dominate headlines and whose faces appear in documentaries and biographies. Yet, beneath this shimmering surface lies a cadre of indispensable individuals, whose contributions are so profound they reshape the very fabric of societal progress, yet remain obscured by the glare